Sevad: Revelation Time – Single Review by Mr Topple for Pauzeradio.com. At Pauzeradio we value the notion of commitment to up-and-coming artists. So, it’s always a pleasure to come back to someone we’ve appraised before. But it’s even better when you can hear how the artist has grown since their last effort. Welcome back, Sevad. Sevad Revelation Time, released via Sevad Music House Records on the 5th August 2020, sees this up-and-coming man strip his sound back to a more old skool, Roots affair – after the genre smashing witnessed on his album, Black Man’s Government. Heavy on Roots, light

Trudii Harrison: Black Voice Single Review by Mr Topple for Pauzeradio.com. Ahead of Californian-based CKM Infinity Studio’s new EP, The Message (dropping later this summer), one of the tracks included in the release is out. And it’s a pertinent and ultimately powerful affair – from Trudii Harrison. Trudii Harrison Black Voice, released via CKM Infinity Studio, sees Harrison team up with the label’s founder, producer Cliff Manswell. It’s a haunting, unsettling affair – driven by some elegant production from Manswell which has created a brooding, heavy piece of work – perfectly fitting the subject matter and Harrison’s voice. The track

Jahmiel: We Alone Single Review by Mr Topple for Pauzeradio.com. What happens when you put one of the busiest and most-talented artists around, and one of the most exciting producers going, on the same track? Perfection, obviously. Jahmiel We Alone, released via Tru Ambassador Entertainment, sees Jahmiel team up with Week.Day on a glossy, slick yet unpretentious Afrobeats-RnB cut. As a producer, Week.Day’s skill at engineering a cleverly intricate song is no longer in question (his earlier work this year with Julian Marley and Kumar to name two, other sterling examples). So, what about the composition? Top-class, of course. The

Omari Banks: Like a King Single Review by Mr Topple for Pauzeradio.com. One of the kings of Reggae-Soul (with Blues and Calypso in the mix as well), Omari Banks is no stranger to musical legend; his dad being the colossus Bankie Banx. But like father, like son – Banks has entered iconic territory himself. And his latest track shows why. Omari Banks Like a King, released via ONErpm, sees Banks on scorching form. With much of the composer, lyricist and producer duties being fulfilled by himself, that alone is a measure of the man’s talents. But the end result is

Cali P: Hit Like Gunshot Single Review by Mr Topple for Pauzeradio.com. Cali P is the master of hard-hitting, searingly conscious yet modern and accessible music. His EPs with producer Teka (Vizion I and II) were both works of art. Now, in response to the murder of George Floyd, the two visionaries are back – and the result is succinct and furious. Cali P Hit Like Gunshot, released by LowLow Records, is an evocative track; lyrics written by Cali P while in coronavirus lockdown in Gambia. Teka’s production is as to be expected: detailed, infinitely well-balanced and with streaks of

Kabaka Pyramid: Babylon Fallin Single Review by Mr Topple for Pauzeradio.com. With almost perfect timing, artistic icon Kabaka Pyramid is back with a new track. And its message is wholly apt, as the world around us slowly burns – both physically and metaphorically. Kabaka Pyramid Babylon Fallin, released via One Time Music and Bebble Rock Music, is a tour de force of musicality and lyricism. Production from Island Wav is stellar – combining both tried-and-tested compositional devices with delicate yet pointed inventiveness. The slick engineering and mastering finishes off the package. And overall, the track is a top-class, haunting 21st

Ray Isaacs: Stranger In Town Single Review by Mr Topple for Pauzeradio.com. Hot-on-the-heels of his recent Roots/Funky Soul cut Chemical Warfare, and Ray Isaacs is back with another fresh track. But the song itself isn’t new – as he’s released it as a tribute to his late and legendary uncle Gregory to coincide with what would have been his 70th birthday. Ray Isaacs Stranger In Town, released via Road Blokk Records, sees Isaacs interpret the track from Gregory’s seminal 1982 album Night Nurse. While the fundamental compositional elements of the music haven’t changed, Road Blokk have played with the instrumentation,